George Earl Parker is an Author, Singer/Songwriter, and an Artist.
As director of the short film The Yellow Submarine Sandwich, included in Eric Idle’s pseudo-documentary of a band called the Rutles, Parker received accolades, awards, and a showing at the Museum of Modern Art in New York City.
His art has been exhibited in museums and galleries around the country, and three of his songs have climbed the European Country Music Association charts.
Vampyre Blood-Eight Pints of Trouble is his first novel. He currently lives in California where he continues working on music, and his second book.
http://www.georgeearlparker.com/
Q: It’s rare today to find an author who does nothing but write for a living. Do you have a ‘real’ job other than writing, and if so, what is it? What are some other jobs you’ve had in your life? Have they influenced/inspired your writing?
All the experiences one has inspires the written word. I have spent most of my life in the film industry in various capacities.
Q: What compelled you to write your first book?
I wondered what would happen if a lawyer received a transfusion of Vampyre Blood, so I had to write the book to find out.
Q: Have you always wanted to be a writer?
I came in second in a writing contest when I was 10 years old which was sponsored by Cadbury’s Chocolates, and from that moment on I knew I had to be a writer, because I really like chocolate.
Q: Tell us briefly about your book.
When Count Dracula gives up his evil ways and joins a Goth rock band on a tour of America, he donates blood in order to find a lawyer, and ends up saving a life, which changes his fate forever.
Q: What are you working on at the moment?
A book about teenage angst, and some new songs.
Q: Do you have a favourite character? Why is s/he your favourite?
I like Joey “The Suit” Santucci in my book, because he’s an educated mobster who worked his way up from the streets.
Q: How did you feel the day you held the copy of your first book in your hands?
That just happened this weekend. It was a strange mixture of joy, elation, fear, and dread, followed by a strange numbness. It takes so much to get a book that far these days.
Q: What type of music, if any, do you listen to while you write? Do you need the noise or the silence?
I prefer silence. I like to write in the middle of the night when you can literally hear a pin drop.
Q: If you could live in one of your books, which one would you live in? (If you’re promoting your first publication, feel free to talk about an unpublished piece.)
Hmmm! I’m not sure I’d like to live in one of my books, there’s way too much crazy stuff going on. Which is good for the reader, but it wears the characters out.
Q: How do you balance out the writer’s life and the rest of life? Do you get up early? Stay up late? Ignore friends and family for certain periods of time?
Yes I’m very solitary, almost a hermit. That’s why I like to write and record songs, it gets me out of the house.
Q: The main characters of your stories – do you find that you put a little of yourself into each of them or do you create them to be completely different from you?
Every character I write contains pieces of me. Even the obnoxious ones.
Q: Is there an established writer you admire and emulate in your own writing? Do you have a writing mentor?
I like Tom Robbins, Charles Dickens, and Mickey Spillane.
Q: When growing up, did you have a favorite author, book series, or book?
I had many, but the titles are lost in the mists of time.
Q: What about now: who is your favorite author and what is your favorite genre to read?
I think Garth Nix is pretty good. I like spiritual science fiction.
Q: When they write your obituary, what do you hope they will say about your book/s and writing? What do you hope they will say about you?
I’m not even going to entertain that question. That is for others to decide.
Q: Where you have lived and what you have experienced can influence your writing in many ways. Are there any specific locations or experiences that have popped up in your books?
Well, I’ve lived in London, Madrid, New York, and Los Angeles, and my new book takes place in New Orleans. So no!
Q: What is your writing space like? Do you have a designated space? What does it look like? On the couch, laptop, desk? Music? Lighting? Typing? Handwriting?
I like writing in bed, in hotels, when it’s raining outside. That way I don’t miss anything.
Q: Is there anyone who has inspired, motivated, encouraged or supported your writing?
Yes, there are many. Some to more of a degree than others. But I think that everybody roots for you when you’re doing something as crazy an illogical as this.
Q: Is there any particular book that, when you read it, you thought, “I wish I had written that!”?
No.
Q: Is there anything you’d go back and do differently now that you have been published, in regards to your writing career?
Writing is a constant process of changing and polishing.
Q: In my experience, some things come quite easily (like creating the setting) and other things aren’t so easy (like deciding on a title). What comes easily to you and what do you find more difficult?
I think starting is always the hard part, because it’s a massive commitment of time. You have to able to afford the time to get lost in a story to really do it justice.
Q: Have you ever had a character take over a story and move it in a different direction than you had originally intended? How did you handle it?
I haven’t had that, my characters are mostly well behaved. A little crazy, but well behaved.
Q: Do you have any book signings, tours or special events planned to promote your book that readers might be interested in attending? If so, when and where?
I don’t have anything lined up yet, but I’ll let you know when I do.
Q: It’s one thing to write a book and another to edit it. How do you feel about the editing process? What was it like to edit your book?
I think that’s the point when a book really comes alive. Just like finishing a sculpture, you get to stand back and admire it.
Q: Now that you are a published author, does it feel differently than you had imagined?
No not yet. But that may change, so let me get back to you on that one too.
I hear a lot about authors who outline their novels before they start writing, outlines that can often be quite extensive. I’m not one of them, at least not with the books I’ve written thus far. For me, if I had to sit down and ponderously map out every little move my characters make and every twist and turn of the plot, I would more than likely lose interest in taking it any further. To then sit down and write the book would be like repeating myself. At worst, it would be excruciating. At best–anti-climactic. And I need that catharsis that comes with discovery. More about that in a minute.
The method that works for me is to first have an idea so compelling that it seizes my imagination and won’t let go. Call it an obsession if you like, because I won’t deny that it has the feeling of one, and for me I need that unrepentant passion to carry me through the months of work to get to a first draft. The next requirement is discipline, having the will to sit and type at least three pages per day. If I want to do more, fine, but that doesn’t get me off the hook for the next day.
Because I’m a film school graduate, I have always tended to see my stories as movies on a big screen in my mind. And that is the way I write, in a sort of cinematic trance. While I have a firm grip on where the story is going, the characters will often assert themselves and take the story in a different direction.
Sometimes I have to rein them in and, at other times, I’m delightfully surprised to find them taking me in a fresh direction I’d never previously considered. These are the moments for which all writers live, and an outline will kill it. Not because those moments will elude you if you’ve outlined your book, but because you’ve put so much work into that outline, you won’t want to deviate from it to go somewhere else with the characters and the story.
My advice, then, is to take that basic idea and just start writing it. Once you get the first draft down, THAT will be your outline. You will then be able to see what needs to be changed with a much clearer vision and you will not have hampered your creativity at the outset by creating a rigid roadmap.
***
Bill Walker is a graphic designer specializing in book and dust jacket design, and has worked on projects by Ray Bradbury, Richard Matheson, Dean Koontz, and Stephen King. Between his design work and his writing, he spends his spare time reading voraciously and playing very loud guitar, much to the chagrin of his lovely wife and two sons. Bill makes his home in Los Angeles and can be reached through his web site: http://www.billwalkerdesigns.com/
Bill Walker is a graphic designer specializing in book and dust jacket design, and has worked on projects by Ray Bradbury, Richard Matheson, Dean Koontz, and Stephen King. Between his design work and his writing, he spends his spare time reading voraciously and playing very loud guitar, much to the chagrin of his lovely wife and two sons. Bill makes his home in Los Angeles and can be reached through his web site: http://www.billwalkerdesigns.com/
Q: It’s rare today to find an author who does nothing but write for a living. Do you have a ‘real’ job other than writing, and if so, what is it? What are some other jobs you’ve had in your life? Have they influenced/inspired your writing?
First of all, I’d dearly love to be one of those brand name authors who just write for a living. Until that happens, I do happen to work at other things. Besides the “Writer” hat I wear, I’m also a graphic designer. For a day job I ‘m an art director for a company that manufactures electronic gift cards. I also have a freelance business that specializes in book design. I do interior layouts as well as covers.
Q: What compelled you to write your first book?
If you mean the first one I wrote when I was nine years old, it was the desire to sustain the thrill of a favorite book, Ben and Me, a story about Ben Franklin and his highly intelligent pet mouse. My first novel, Camp Stalag, which I wrote back in the 90s, was inspired by Hogan’s Heroes, as well as my experiences in summer camp, and my ongoing interest in World War II.
Q: Have you always wanted to be a writer?
Ever since I started reading, I wanted to tell stories, too. I knew it in my bones.
Q: Tell us briefly about your book.
It’s a love story about two people who are destined to be together, but life gets in the way and pulls them apart. Fifteen years later they meet again and the sparks fly.
Q: What are you working on at the moment?
Right now, I’m seriously considering a sequel to A Note from an Old Acquaintance.
Q: Do you have a favourite character? Why is s/he your favourite?
I honestly love all my characters, as they are extensions of me–both my good and bad points. As for this book in particular, aside from Brian and Joanna, I found myself really intrigued by Erik Ruby. Here is a man who has everything, yet he is unable to really love Joanna in the way she wants to be loved. He puts her on a pedestal. The irony is that he knows there is something truly special about her, but tragically, is unable to truly comprehend the nature of that special quality.
Q: How did you feel the day you held the copy of your first book in your hands?
Like I’d just reached to top of Mt. Everest.
Q: What type of music, if any, do you listen to while you write? Do you need the noise or the silence?
Definitely silence. If I listened to music, I’d never get anything done. Music inspires me, however. I’ve often gotten ideas for a story from a piece of music. In fact, the song that inspired this book is Boston’s “More Than a Feeling.”
Q: If you could live in one of your books, which one would you live in? (If you’re promoting your first publication, feel free to talk about an unpublished piece.)
Well, I did live in Boston for many years, so the setting for A Note from an Old Acquaintance is a very comfortable universe for me.
Q: How do you balance out the writer’s life and the rest of life? Do you get up early? Stay up late? Ignore friends and family for certain periods of time?
When I’m writing, I’m almost constantly in what I call “Story Mode,” so I could be anywhere. Just because I’m sitting by myself at a party, it doesn’t mean I’m anti-social–it means I’m working. Mostly, I like to get up early, as I think I’m the freshest at that time.
Q: The main characters of your stories – do you find that you put a little of yourself into each of them or do you create them to be completely different from you?
As a writer I consider myself the ultimate actor. I get to inhabit each character, becoming them as I write them. It’s one of the greatest thrills we writers can experience, aside from mass adulation from millions of readers
Inevitably, however, all my characters are bits and piece of me.
Q: Is there an established writer you admire and emulate in your own writing? Do you have a writing mentor?
There are many writers I’ve admired over the years, but the top three are Stephen King, Richard Matheson and Dean Koontz. Of the three, I would say Dean Koontz has been more of a mentor in the sense that he wrote one of best, if not the best, How-to books on writing: How to write Best-Selling Fiction. It was published by Writers Digest back in 1981 and is now out of print. If you can find a copy it will cost you an arm and a leg, but the content is priceless.
Q: When growing up, did you have a favorite author, book series, or book?
The Mad Scientists’ Club by Bertand R. Brinley. They were short stories collected in book form and are still terrific. They’ve all been recently reissued in hard cover by Purple House Press.
Q: What about now: who is your favorite author and what is your favorite genre to read?
I would say Stephen King is my all-time favorite. As to favorite genre, I would say suspense thrillers. Then again, my favorite novel is Jack Finney’s Time and Again, the original time travel love story. I’m nothing if not eclectic in my tastes.
Q: Where you have lived and what you have experienced can influence your writing in many ways. Are there any specific locations or experiences that have popped up in your books?
Boston is as much a “character” in my book as the human ones. It’s where I spent some very important and formative years. I miss it a great deal. Just don’t miss the snow
Q: What is your writing space like? Do you have a designated space? What does it look like? On the couch, laptop, desk? Music? Lighting? Typing? Handwriting?
I type on a MacBook Pro laptop, which is also the same computer I do my graphic work. When at home, it resides in a little nook off the master bedroom where I’m literally surrounded by books.
Q: Is there any particular book that, when you read it, you thought, “I wish I had written that!”?
Fatherland by Robert Harris. It’s an alternate history novel that takes place in a 1963 where Germany won World War II. Great book.
Q: Is there anything you’d go back and do differently now that you have been published, in regards to your writing career?
It would have been to start writing seriously much earlier than I did. I’ve always had an affinity for words, but if I’d started learning the craft years earlier, in college for instance, I’d probably be much farther along the path. On the other hand, I think I needed the seasoning, so to speak, to live those extra years to gain whatever insights I have. We see things much differently in middle age than we do in our twenties.
Q: In my experience, some things come quite easily (like creating the setting) and other things aren’t so easy (like deciding on a title). What comes easily to you and what do you find more difficult?
It’s different for each book. For this one the setting and the title were equally easy. For others, it will be different. The one thing that’s crucial for me is that I know the basic arc of the story. If I don’t know where it’s going, my fingers feel as if they have lead weights on them. On the other hand, I’m not one of those writers that outline every nuance of their stories. To me that would kill a lot of the spontaneity.
Q: Have you ever had a character take over a story and move it in a different direction than you had originally intended? How did you handle it?
This can be a very good thing when it happens for the right reasons. The trick is in knowing when it’s not going right. Thankfully, for me, that seems to be an instinctive sense.
Q: Do you have any book signings, tours or special events planned to promote your book that readers might be interested in attending? If so, when and where?
For now, I’m doing the blog tours. I love doing book signings, but have found that if one is not a brand name author they can be a complete waste of time. Just because you write it it, it doesn’t mean the people will come. There have been a few signings where I did little but talk to the bookstore owner for two hours. For a new author that kind of experience can be very demoralizing.
Q: It’s one thing to write a book and another to edit it. How do you feel about the editing process? What was it like to edit your book?
As in film production, the editing process is crucial, whether an author is doing his/her own or working with someone else. While I do tend to be self-critical, I also think another pair of eyes is key to finding and correcting any and all potential problems. I’m often too close to my work to look at it completely objectively.
Q: Now that you are a published author, does it feel differently than you had imagined?
I love telling stories and hearing from readers who’ve enjoyed the stories I’ve told them. To me, entertaining a reader is the highest of callings.
Right now, I’m in the process of setting up a fan page on Facebook. To be honest, I’ve avoided these kinds of sites in the past, but have come to realize that they can be of immense value. As for a blog, I do have one, but I desperately need to update it. One can find it at: www.billwalkerdesigns.com/blog.
About Bill Walker
Bill Walker is a graphic designer specializing in book and dust jacket design, and has worked on projects by Ray Bradbury, Richard Matheson, Dean Koontz, and Stephen King. Between his design work and his writing, he spends his spare time reading voraciously and playing very loud guitar, much to the chagrin of his lovely wife and two sons. Bill makes his home in Los Angeles and can be reached through his web site: http://www.billwalkerdesigns.com/
About A Note From an Old Acquaintance
Brian Weller is a haunted man. It’s been two years since the tragic accident that left his three-year-old son dead and his wife in an irreversible coma. A popular author of mega-selling thrillers, Brian’s life has reached a crossroads: his new book is stalled, his wife’s prognosis is dire, and he teeters on the brink of despair.
Everything changes the morning an e-mail arrives from Boston artist Joanna Richman. Her heartfelt note brings back all the poignant memories: the night their eyes met, the fiery passion of their short-lived affair, and the agonizing moment he was forced to leave Joanna forever. Now, fifteen years later, the guilt and anger threaten to overwhelm him. Vowing to make things right, Brian arranges a book-signing tour that will take him back to Boston. He is eager to see Joanna again, but remains unsure where their reunion will lead. One thing is certain: the forces that tore their love asunder will stop at nothing to keep them apart.
Filled with tender romance and taut suspense, A Note from an Old Acquaintance is an unforgettable story about fate, honor, and the power of true love.

He tried opening his mouth, tried to tell her the truth, but the words
he’d always wielded with such effortless aplomb, failed him, slipping
away like smoke on a windy day. His throat felt as if it were gripped in
a vise, his mind a flat, cracked slab of flyblown desert; and her muted
sobs echoing through the phone’s earpiece made him want to take it all
back. Every word. But how could he do that, now?
“I—I’m sorry, Joanna…for everything….”
“BRIANNNN!”
THE PHONE JANGLED, RIPPING Brian Weller out of the dream. He sat
up, gasping, sounds and images jumbling in his groggy brain until
none of it made any sense.
The phone rang again, startling him.
He grabbed it, his eyes struggling against the darkness in the
room.
What time was it?
Jesus, it was only 6:00. It felt even earlier due to the late night he’d
spent at the computer.
Read the Reviews:
“Brian has been hit with life’s most devastatingly tragic event a parent can encounter. Not only did the horrible accident leave Brian to mourn the loss of his son, it also put his wife in a coma. Brian is left to face this life alone.
But then, one day he receives an unexpected email from someone in his past. This someone is Joanna, a woman he was once in love with. At that time the two were thrust apart by circumstances beyond their control. Fifteen years later the two are given a chance at a second shot at love. Will the past years make a difference and allow them to find happiness together or will Brian have to deal with yet another disaster?
A very touching novel that will make your heart ache. “
-bridget3420
“I can say with all candor I enjoyed the book thoroughly. I’m the novel reader in my family and I usually read an average of two novels per week. My taste runs the gamut. I read NY Times best sellers and books by lesser known authors purely because I’m intrigued by the description on the back dust cover. Mr. Walker’s book is a very entertaining and quick read. Love at first sight is something most of us can relate to, and I dare say that pretty nearly everyone that I know has a Brian or a Joanna in their past. The author’s combination of the torment of love lost with the elation of discovering that love can endure through the most trying of life’s events was very emotional and ultimately very gratifying. That most of us are, or have been, on a quest to find and capture our “soul mate” adds total credibility to the book. If I might be totally cliché, I really did find this book to be both heat-wrenching and heart warming. My husband and I have a fairly sizable library and the Walker book has taken it’s place on the shelf to be enjoyed again in the near future.“
-Carleen
Bill Walker’s NOTE FROM AN OLD ACQUAINTANCE VIRTUAL BLOG TOUR ‘09 will officially begin on February 1 and end on March 26. You can visit Bill’s blog stops at www.virtualbooktours.wordpress.com during the month of February and March to find out more about this great book and talented author!
Join F.M. Meredith, author of the crime novel, An Axe to Grind (Oak Tree Press, January 2010), the latest in her Rocky Bluff P.D. series, as she virtually tours the blogosphere in March on her sixth virtual book tour with Pump Up Your Book Promotion!
About F.M. Meredith
F. M. Meredith who also writes under the name Marilyn Meredith is the author of nearly thirty published novels including the Rocky Bluff P.D. crime series, An Axe to Grind is the newest from Oak Tree Press. No Sanctuary was a finalist the mystery/suspense category of the Epic best in e-books contest .
She is a member of EPIC, Sisters in Crime, Mystery Writers of America, and on the board of the Public Safety Writers of America. She was an instructor for Writer’s Digest School for ten years, served as an instructor at the Maui Writer’s Retreat and many other writer’s conferences. For over twenty years she lived in a beach community similar to Rocky Bluff.
You can visit the author online at http://fictionforyou.com and her blog at http://marilynmeredith.blogspot.com
About An Axe to Grind
Detective Doug Milligan and his partner question suspects in the murder of a stalker including the stalker’s target, her boyfriend, father and brother, as well as the stalker’s step-father. The investigation leaves little time for Doug to see his fiancée and fellow officer, Stacey Wilbur.
Stacey handles a molestation case which involves the son of a friend. She and her mother talk wedding plans, though all must wait until Doug’s renter, Officer Gordon Butler finds another place to live.
When Doug disappears while tailing a suspect, Stacey sets out to find him, hoping she can reach him time.
Read an Excerpt!
Chapter 1
Sergeant Abel Navarro fought to keep from gagging. It wasn’t only from the smell, though that was bad enough.
“Somebody really did a job on the poor slob.” Officer Gordon Butler spoke from the open front door.
“You could say that.” Abel shook his head, had to be the understatement of all time. His wife, Maria, would have a fit if she knew he was in a room with this much spilled blood without any protective gear on. As a nurse, she’d lectured him many times about how airborne droplets of blood could contain the HIV virus along with other terrible diseases. He’d have to take his chances. Until the detectives arrived, there wasn’t anything he could do except make sure no one messed with the crime scene.
“You didn’t touch anything, did you, Butler?”
“Nope. Only poked my head in the door. It was obvious from here the guy was dead.” Gordon was the newest and youngest officer on the Rocky Bluff P.D. Mostly because of his gung-ho attitude, he had a record of mishaps. He’d calmed down a bit, and finally earned the respect of most of his fellow officers.
There wasn’t any need for medical help, though the EMT’s would arrive soon. The victim’s body lay sprawled in a pool of blood that had emptied from the neck cavity. The head was missing. Abel couldn’t spot it from where he stood about two feet inside the modest living room. Globs of blood and rivulets decorated the plain white walls, the beige slip-covered lumpy couch, and light green overstuffed chair. In fact, there didn’t seem to be any surface free from congealing spots of blood.
“What brought you to the scene?” Abel asked.
“Paperboy,” Gordon said. “Poor kid’s pretty shook up. Got him sitting in my unit now. He was collecting, went to knock on the door and realized it was open. Gave it a shove and this is what he saw. Jumped on his bike and went racing down the street. Flagged me down. I took one peek inside and called it in.” Gordon’s cheeks flamed red. Obviously, what he’d seen had shaken him too.
“I got your call about twenty minutes ago, around seven-thirty and notified Milligan and Marshall. They should be heading for the crime scene about now.” Abel longed to be outside to breathe in the fresh sea air. He would never get used to the pungent coppery smell of freshly spilled blood, the sickening stench of evacuated bowels and urine. Though murder wasn’t unknown in the seaside community of Rocky Bluff, this was one of the most brutal and gory he’d ever seen.
“Anyone around when you drove up?” Abel asked.
“Nope.” Butler nearly filled the open door with his bulk. His arms were crossed over his massive chest, and dark glasses hid his eyes. Bright pink colored his cheeks.
Abel glanced again at the victim, ignoring the gore, he took in the fact that the body was that of a white male. Including the missing head, he would be around five-foot-ten, slim build, no noticeable tattoos on his arms. The body was clothed in a striped polo shirt, khaki pants and sneakers. He had on a watch, but no rings. Studying the rather plain room, except for the body and the blood, nothing seemed out of place. It was an ordinary living room in an ordinary small rental.
The sound of squeaky brakes announced the arrival of at least one of the detectives. Taking care to walk out exactly as he’d come in, Abel stepped outside.
Fog was beginning to roll in, softening the reality of the old beach neighborhood. Built in the thirties as vacation homes for people who lived in the Los Angeles area, most of the small houses were in various states of disrepair. Abel knew that even though they weren’t kept up, they brought in relatively high rents because of their proximity to the Pacific Ocean. Fortunately, Rocky Bluff hadn’t reached the popularity of its neighboring cities of Ventura and Santa Barbara.
Except for tonight, Abel loved living here. It was a great place for Maria and him to raise their daughter. Maybe no one had been around when Butler arrived, but now people had come out of their houses, peering curiously at the unusual activity, huddling in small groups.
Frank Marshall stepped out of his battered Pontiac that he’d parked behind Gordon Butler’s police unit, just as a red, vintage MG came to a screeching halt across the street. Doug Milligan joined Frank and they both strode across the dry Bermuda grass toward Abel pulling on latex gloves as they came.
“Who’s the kid?” Frank gestured toward the unit. He wore a navy jacket over a plain white T-shirt. He had on a well-worn pair of faded jeans. Abel suspected Frank had been relaxing in front of the TV when he got the call.
Both detectives were taller than Abel–for that matter nearly everyone in the department was taller than Abel. “Paperboy. He discovered the body. Butler says he’s pretty shook up. When you see the body you’ll understand why.”
“I’ll go talk to the boy and let Gordon take him home,” Doug said. Milligan had two children of his own, though they lived in San Diego with their mother and her new husband.
Even though he no longer had a wife to watch after him, his tan sport jacket and slacks were neatly pressed.
Marshall rubbed his bald pate. “Okay, let’s see what we’ve got here.”
Gordon moved out of the doorway. Abel allowed Marshall to enter first.
Marshall halted. “Whoa. What an unholy mess. Do we know the identity of the victim?”
“Nope, haven’t touched a thing,” Abel said, and hoped he didn’t have to.
“Know where the head is?”
“No, but I didn’t look for it either.”
“Butler touch anything?”
“Said not.”
“Good. Did you call the coroner?”
“Did that before I left the station.”
“Start snapping pictures, Navarro. Get the cameras out of my car, and take the scene that way first. Be sure and get some good shots of the blood spatters. Then I want you to video the evidence collecting.” Marshall already had his notebook out and started writing.
Abel knew the detective was methodically putting down everything he could see.
By the time Abel returned with the cameras, Marshall had moved across the room. He gestured toward an alcove that served as a dining room. “Killer thought it would make a nice centerpiece, I suppose. Be sure to take a photo of it.”
Placed exactly in the center of a square wooden table, blue eyes stared from the long, pale face of a male, early to mid-thirties with brown hair cut extremely short emphasizing his large ears. Abel photographed the body from every angle, the gory blood spatters, and the head. He tried not to think about what he was recording as he methodically went about the task.
Opened mail, along with the envelopes, lay scattered about the head. It was all addressed to Kenneth Buchelo. While Abel took pictures, Milligan returned from his interview of the paperboy. He stared at the victim while he talked. “Kid’s name is Robert Villard. Eleven. Goes to the same school my kids went. Doesn’t know anything, except who the man is–Kenneth Buchelo.”
“He’s sure that’s who is lying on the floor?” Marshall asked.
“Sure as he can be without seeing his head. Terrible shock to a kid. Butler’s taking him home now.” Doug Milligan touched his upper lip. It hadn’t been too long ago that he’d sported a mustache, but now he was clean-shaven. “I’ve called for extra help, the crowd is getting bigger outside. We need some uniforms to start asking the neighbors what they know about this guy. The Chief’s been notified, and I thought Strickland ought to be here. The media is going to love this one.” Ryan Strickland was the Department’s public relations officer. “What do you think it is, a homosexual murder?”
Murders involving homosexuals tended to be more bizarre; the decapitation had caused Abel to think the same.
“Don’t know,” Marshall said. “Won’t until we’ve gotten a positive ID on the body.” They really wouldn’t even have a tentative identification until the coroner arrived and checked out the guy’s wallet. According to California law only the coroner could take anything off the body. Though it was also the coroner who made the decision on cause of death, it was pretty obvious what happened to their victim. It was up to the detectives to discover who did it and why.
Hopefully, as they slowly and meticulously gathered the evidence it would become clear who and what had caused Kenneth Buchelo’s death. From Abel’s viewpoint it didn’t look like an easy matter. So far they hadn’t even recovered the weapon.
“Hey, we got a bloody one.” Ryan Strickland, also tall and extremely handsome, strolled into the room but halted immediately when he saw the body. “Oops, guy lost his head.”
“Hasn’t gone far.” Marshall pointed toward the dining alcove.
Strickland edged his way nearer. “Ugh, not too appetizing. Media’s going to love this one. What have you got?”
“Decapitation, no ID as yet. But so far it looks like our victim is a Kenneth Buchelo.”
“Know anything about him?” Strickland asked.
“Not yet.” Marshall continued his methodical walk around the scene. Abel followed closely with the video camera capturing everything Frank was looking at or touching with his gloved fingers.
“Anyone ever heard of this guy before?” Strickland asked.
Though Abel hadn’t recognized the face of the victim, there was something vaguely familiar about the name. Until he could remember though, he wouldn’t say anything.
Eliseo Alvarado, the deputy coroner of Ventura County, popped into the room. He was a wiry, dark-skinned and haired gnome-like fellow. “Hi everybody, what’ve we got here?”
Alvarado put his medical bag down beside the corpse, and opened it. “Where’s the head?”
“In there, smack dab in the middle of the table.” Frank pointed with his thumb.
As the coroner began examining the body, Frank said, “Come on Navarro, let’s take a look in the other rooms.”
Abel followed the detective into the small, neat kitchen, recording everything with the video camera. Though the appliances were old-fashioned, the cabinets were freshly painted, the worn linoleum clean. The bathroom was much the same. Everything neatly in place, the medicine cabinet held the usual assortment of pain relievers, razor and blades, shaving cream, cologne and deodorant.
Frank slid open the drawer beside the sink and lifted out a package of condoms. “Looks like he was sexually active…or at least hopeful.”
The bedroom was more interesting. Though small like the rest of the house, it only contained a neatly-made twin bed, a small bedside table, a battered dresser, a small desk with an open laptop computer and printer, and a folding chair.
Taped and thumbtacked to the walls were at least a hundred photographs, big and small–black-and-white and in color–of one young woman–an Hispanic girl, early twenties, pretty.
Frank paused in front of the display. “H’mmm. Interesting. Notice anything unusual here?”
Abel took the video camera from his eye and squinted at the photos. “Nice looking.” He studied a bit more. “None of the pictures are posed. She’s doing something in each one. Sitting in a restaurant, peering through a window. That one she’s coming out of the library.”
“Obviously she had no idea her picture was being taken.” Frank opened the door to the closet. Inside, an array of ordinary short- and long-sleeved shirts, dark brown, navy and black slacks, along with one navy sports coat and dress slacks hung neatly. Lined up on the floor were three pairs of worn men’s shoes, two black and one brown, and a fairly new pair of name brand sneakers.
On the overhead shelf was a small digital camera. “We’ll take the camera and the computer as evidence, as well as the picture gallery,” Frank said.
He found one other item of interest in the drawer of the bedside table, a journal filled with neat writing. He held it aloft. “Bingo. This should tell us plenty about our headless wonder.”
Read Reviews of Other Books in the Rocky Bluff P.D. Series
“No Sanctuary delivers well-developed characters and an intriguing plot with a surprising twist at the end. Congratulations, F.M. Meredith, on another winner. No Sanctuary qualifies as a fast and satisfying read. Loved it!” –Karen Kavanagh, former Co-president of Sisters in Crime-CCC
“Anyone who has the slightest interest in anything to do with police work will love SMELL OF DEATH by F. M. Meredith.” –Radine Trees Nehring, www.RadinesBooks.com
“Fringe Benefits is a fast, interesting read and I think the police officers in Rocky Bluff are typical of police officers everywhere with the same ambitions and stumbling blocks…” –Patricia Reid
F.M. Meredith’s AN AXE TO GRIND VIRTUAL BOOK TOUR will officially begin on March 1st and end on March 26th. You can visit F.M.’s blog stops at www.virtualbooktours.wordpress.com during the month of March to find out more about this great book and talented author!

Five Things You Didn’t Know About F.M. Meredith a.k.a. Marilyn Meredith
What an intriguing idea! Thanks for asking; let’s see what I can come up with.
1. When I first began writing my Rocky Bluff P.D. crime series, the main character was a man and I thought that to get more male readers it would be smart to just use my initials. However, the publisher of the book put my photograph on the back cover which let anyone who looked at the book know that F.M. Meredith is a woman. Oh, well. Since I also write another series under my more common name, I just continued on with F.M. Meredith.
2. My interest in law enforcement began way back when I was a child. My uncle was a L.A.P.D. motorcycle cop and he told many interesting stories about all the important people he’d escorted and protected, including a couple of U.S. Presidents. I also babysat for a policeman’s family when I was twelve and thirteen. He always left his loaded gun in a drawer with instructions that I was to use it if anyone tried to break in. Can you imagine?
3. My husband was a Seabee and the first home we were able to buy was in Oxnard near the Port Hueneme Seabee base. We only had to pay $100 down. All of our neighbors were others with low paying jobs like firemen and police officers. We hung out with a lot of the police families as well as the other Navy families. One time we were all at a poker party at one of the police officer’s homes. While we were there, a wife of one of the men who came was murdered in their home. Of course he was the primary suspect and all of us were questioned. He wasn’t guilty, by the way, it was a random act of murder by a mentally ill person. I used that tragic incident in one of my early Rocky Bluff books.
4. My daughter married a young man who became a police officer. He was a great guy, good husband and father to their three kids. My daughter didn’t like to hear his stories, but I did. Every morning when he got off the graveyard shift he’d come to our house and have coffee and tell me his stories. He once took me on a ride-along, making me promise I wouldn’t tell anyone he was a police officer. Sadly, after 15 years on the job, he lost his life in the line of duty. The three boys have all grown into fine young men and one is now a police officer.
5. I’m a member of the board of the Public Safety Writers Association, http://www,publicsafetywriter.com which has many police officers as members (and others like me who write mysteries) so I still hear many stories. My job on the board is planning their annual conference. In this capacity I’ve met the most interesting people—top mystery authors, FBI men, reformed gangsters, members of the border patrol, training officers, cops from all over the country including police chiefs, and forensic experts. And yes, I’m loving it.
I decided to stick with one theme for my five things most people don’t know about me and since the book I’m promoting is about a police department, I thought I’d give your readers some idea why a great-grandmother writes about a fictional police department and the officers and their families. I could have revealed the time I went to a nudist colony, but I’ll save that for another time.
My latest book is An Axe to Grind which begins with the discovery of a headless corpse. It’s the story of a stalker, his victim and the victim’s family as well as the two detectives working on the case. The ongoing romance of one of the detectives with a female officer is put on hold—but when the detective gets in trouble, his fiancée comes to the rescue.
An Axe to Grind is available in all the usual places. For an autographed copy, order from my website.
As F.M. Meredith and Marilyn Meredith, I’ve written nearly thirty books, mostly mysteries. My website is http://fictionforyou.com and my blog http://marilynmeredith.blogspot.com

Five Things You Didn’t Know About Cilla McCain
*I’m one of those weird people who prefers to do my dishes by hand. That’s because I get my best ideas while cleaning house.
*I often think out loud and pace back and forth when I’m pulling a scene or paragraph together for the final time. If someone were to secretly videotape me I would probably look completely crazy!
*I learned last summer that I actually like to go fishing. I finally get what people see in it! It can be very soothing. But I doubt that I will ever have the nerve to bait my own hook. ICK! I also love classic car shows and can spend hours watching the Barrett-Jackson auctions.
*People who meet me don’t realize how truly shy I am. When I was very young, it was almost painful for me to interact with new people. As I’ve gotten older I’ve developed a method for dealing with it and can almost appear to be outgoing. It helped me a lot during the research for Murder In Baker Company because I had to deal one on one with the toughest soldiers you can imagine!
*When I get mad, I curse like a drunken sailor who had to spend his leave in jail. I don’t know where it comes from! I was raised to be the stereotypical southern lady and most of the time that description fits. But when I get ticked off it is a whole other deal. I write better at those times too, so maybe it’s a good thing.
***
Cilla McCain comes from a large army family and grew up on various army bases until her family settled outside Fort Benning, Georgia. She lives in the Georgia mountains and writes fulltime, focusing on issues dealing with social justice
Christa Allan lives in Abita Springs, Louisiana where she teaches high school English. She’s written for Chicken Soup for the Coffee Lover’s Soul, Chicken Soup for the Divorced Soul, The Ultimate Teacher, and Cup of Comfort for Parents of Children with Special Needs. A member of American Christian Fiction Writers, Christa is also a contributor to Afictionado, their online magazine. She is also a ontributor to Exemplify. Christa is the mother of five adult children and the proud Grammy of three. She and her husband Ken spend time with their neurotic cats, play golf, and dodge hurricanes. Walking on Broken Glass is Christa’s debut novel.
Q: Tell us briefly about your book.
Leah Thorton’s life, like her Southern Living home, has great curb appeal. But a paralyzing encounter with a can of frozen apple juice in the supermarket shatters the façade, forcing her to admit that all is not as it appears. When her best friend gets in Leah’s face about her reliance on alcohol to avoid dealing with her life, Leah must make an agonizing choice. Seek help against her husband’s wishes? Or—put herself first for once? Joy and sadness converge and unwelcome insights intrude, testing Leah’s commitment to sobriety, her marriage, her motherhood, and her faith.
Narrated by Leah, this novel starts with a funny yet tragic epiphany, setting the stage for a story dealing with difficult circumstances with dry humor. While the topics are serious, they’re approached with Leah’s sometimes sassy, often sarcastic, usually self-deprecating humor.
Q: What are you working on at the moment?
In no particular order: grading papers, loosely outlining a recently contracted novel that will release in October of 2011, and trying to wrap my brain around an idea for an historical novel.
Q: How did you feel the day you held the copy of your first book in your hands?
Humbled, which is not at all what I expected to feel. Looking at my name on the cover, all I could think was, “Who am I that this incredible thing happened for me?”
Q: How do you balance out the writer’s life and the rest of life? Do you get up early? Stay up late? Ignore friends and family for certain periods of time?
Since Walking on Broken Glass is my debut novel, I’m still in the throes of marketing, book signing, workshops, and all the other surprises of a new release. Balance? Oh, I wish. I’m doing all of the above. Waking up early, staying awake (too late most nights), not answering or making as many phone calls. The killer for me is that I teach high school English, and I’m drowning in a sea of ungraded papers.
Q: When they write your obituary, what do you hope they will say about your book/s and writing? What do you hope they will say about you?
“Well done, my good and faithful servant.”
Q: Where you have lived and what you have experienced can influence your writing in many ways. Are there any specific locations or experiences that have popped up in your books?
I’m a New Orleans, Louisiana girl born and bred. Well, with the exception of eight years in Texas. So much of Louisiana culture infuses itself into my writing. Mardi Gras, boiled seafood on the lakefront, crawfish boils, LSU and Saints football games, the French Quarter, restaurants like Commander’s Palace and Galatoire’s. Oh, and I couldn’t forget the suffocating humidity and hurricanes.
Q: What is your writing space like? Do you have a designated space? What does it look like? On the couch, laptop, desk? Music? Lighting? Typing? Handwriting?
When we built our house, my house designed an office of sorts in the passageway between the family room and our bedroom. The key words here are “of sorts.” I realized facing a wall and being chained to a PC weren’t working for me. So much so that I couldn’t keep my wiggly self in the chair with any consistency. Of course this provided endless streams of procrastination talk.
One day my husband handed me a new laptop. I’m certain he tired of my whining, but it worked. So, my new space is primarily a wing back chair in the family room where I can surround myself with catalogs, cats and chocolate. I also like that there’s a wall of windows right behind the chair, which provide views of sunrises and sunsets and Sunday golfers.
Q: Is there any particular book that, when you read it, you thought, “I wish I had written that!”?
The Help by Kathryn Stockett and Love in the Time of Cholera by Gabriel Garcia Marquez.
Oops. That’s two! I’m blown away by Stockett’s voice and how she managed to control the three distinct voices of her characters. Marquez’s magical realism. . .amazing.
Q: It’s one thing to write a book and another to edit it. How do you feel about the editing process? What was it like to edit your book?
I don’t mind the grunt work of editing. The worst part of editing is rereading work I’d written months before and groaning.
Now, use this space to tell us more about who you. Anything you want your readers to know. Include information on where to find your books, any blogs you may have, or how a reader can learn more about you and writing.
If you have a dream, don’t let anyone steal it. Know that with persistence, faith, and a teachable spirit, your dream can become a reality.
I’m so grateful for everyone who has bought my novel and recommended it to others. Your support is a blessing and a gift. And for those who may be in search of my book, you can find it at:
Cokesbury
Barnes and Noble
Indiebound
Borders
I can also be found on Facebook and Twitter.





George Bishop, Jr., worked as an actor in Los Angeles before moving overseas to teach. Over two decades he’s lived and taught in Slovakia, Turkey, Indonesia, Azerbaijan, India, and most recently Japan. He holds a BA from Loyola University of New Orleans, an MFA from the University of North Carolina at Wilmington, and an MA from the School for International Training in Vermont. His stories and essays have appeared in publications such as The Oxford American, The Third Coast, Press, American Writing, The Turkish Daily News, The Caspian Business News and Vorm (in Dutch). Letter to My Daughter (Ballantine Books, Spring 2010) is his first published novel. You can find out more about him and his writing from his website,
Q: Tell us briefly about your book.




